History of Western Theatre: 17th Century to Now/German Post-WWII
Representitive figures in the German-speaking post-World War II period are Friedrich Dürrenmatt (1921-1990) of Swiss origin, notable for "Der Besuch der alten Dame" (The visit, more precisely The visit of the old lady, 1956), Rolf Hochhuth (1931-?) for "Der Stellvertreter" (The vicar, 1963), Peter Weiss (1916-1982), for "Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade" (The persecution and assassination of Jean-Paul Marat as performed by the inmates of the asylum of Charenton under the direction of the Marquis de Sade, generally known as Marat/Sade, 1963), Heiner Müller (1929-1995), for "Die Umsiedlerin" (The resettled woman, 1961), and Franz Xaver Kroetz (1946-?), for "Maennersache" (Men's business, 1972). "The vicar" is a play on the relation between Nazi Germany and the Roman Catholic Church, when Pius XII (1876-1958) was pope. "Marat/Sade" is based on historical events relating to the arrest of the marquis in Charenton prison. "The resettled woman" is concerned with the agrarian reform ("Bodenreform") in East Germany, whereby land belonging to former Nazis and war criminals was expropriated and converted into collective people's farms ("Landwirtschaftliche Produktionsgenossenschaft") among peasant farmers, agricultural laborers, and refugees.
"The visit of the old lady"
"The visit of the old lady". Time: 1950s. Place: Guellen, Switzerland.
In difficult economic times, townspeople have great hopes of obtaining charitable grants from an immensely wealthy Claire Zachanassian, who used to live here 45 years ago, a town of proud traditions, where Goethe spent one night. For his speech, the mayor notes down biographic facts concerning her, how she succeeded high school courses in botany and zoology, in the intent of emphasizing her generosity. Claire arrives sooner than expected, having taken an early train and deliberately and illegally pulling the emergency brake, which she covers up by bribing the station-master. Missing an arm and leg, Claire has no patience for any type of bodily discomfort. She appears especially glad to see Alfred in an ill state, her lover from long ago. She surprises the townspeople by delivering an empty coffin at her hotel, and even more so by declaring she will grant them an enormous sum of money provided they kill her ex-lover for having falsely denied his paternity, which led her to a brothel until freed by a rich client, the first of her seven husbands. She has already castrated and blinded two of Alfred's false witnesses, now part of her entourage. Although the townspeople at first swear they are behind Alfred, he begins to worry. They are suspiciously buying luxurious items on credit. The head of police and the mayor find no reason to arrest her. The priest specifies he should fear God, then he advises him to leave town, but, on his way to the train station, the townspeople persistently surround Alfred till he faints in their midst. They then beseech Claire to withdraw her proposal and invest in the community, but she answers she has already invested in it, having bought it out. "The world turned me into a whore; I will turn it into a brothel," she declares. More prosperous times seem imminent, as shown by the new expensive clothes worn by Alfred's daughter, his son's new automobile, his wife's new fur-coat. The mayor arrives at Alfred's general shop with a gun, asking him to commit suicide for the good of the community, but he refuses. A town meeting is organized, broadcast on radio, at which it is covertly decided that Alfred must be exterminated. Once his closest adherent, the schoolmaster declares eulogizes Claire before a cheering crowd: "Her aim is to have the spirit of the community transformed into the spirit of justice," which the townspeople execute.
"The vicar". Time: 1940s. Place: Germany, Italy.
Lieutenant and medical officer in the Special Services ? (SS) Gerstein informs the papal nuncio about Jews being killed in great numbers in Poland, Belzec, and Treblinka, but he turns away and tells him to inform Adolf Hitler of this. Gerstein next informs German colleagues that the nature of the gas in the death chambers must be changed because the generators break down and that some die after an hour. He arranges his Jewish servant, Jacobson, to obtain a passport from a Jesuit, Riccardo Fontana. Count Fontana, his father, who has just been admitted to the order of Jesus-Christ, disapproves of his son's aggressive tactics to convince Pope Pius XII of the need to denounce openly the massacre of the Jews, all the more so when hearing him speak to a cardinal about this. The cardinal points out that Hitler must not be beaten by the atheist Soviet State but by England and America and that in any case the mass murders should soon stop. In Rome, the Jewish Luccani family are preparing to hide in a convent in Rome, but are prevented by the Germans. Gerstein and Riccardo together seek to convince the cardinal about the need to denounce Hitler, but he counters: "We even give shelter to non-baptized Jews." They try to convince a priest involved in Vatican Radio to commit to their views, but are unsuccessful. Commandant Salzer is ordered to round up more Jews in Rome. In view of Luccani's military service, Salzer assures him he will be sent to Theresienstadt, where the chances of survival are better. Fontana returns to the cardinal to say that Riccardo intends to follow the Jews to a concentration camp, which he considers foolish and liable to compromise the Church. He is especially worried about the vacuum in Italy created by Mussolini's fall, who had always countered the communists. Pope Pius XII reiterates his policy in this matter, paying large sums to shelter Jews in Rome but refusing to defy Hitler openly. "Only Hitler, dear count, now defends Europe." Without a strong German state, Eastern Europe is liable to be taken over by the Soviets. Riccardo is incensed, giving the example of the Danish king as the guide to follow, but no argument convinces the pope to change his strategy. Riccardo makes good on his threat and follows a contingent of Jews at Auschwitz, where Gerstein finds him together with Jacobson. Gerstein asks Riccardo a second time to help Jacobson, who dons his priest's robe, but Jacobson is recognized as an impostor and shot to death. Riccardo is also shot, then thrown into a fire while still alive.
"Marat/Sade". Time: 1808. Place: Paris, France.
While held in a madhouse, the marquis de Sade has prepared a play on the assassination of Jean-Paul Marat in 1793, a key figure in the reign of terror following the French revolution. Jean-Paul exhorts the people to continue the revolution, emphasizing theat priests are on the side of power, not the people. The director of the establishment, Coulmier, objects to this part. With the advent of the revolution, a greater number of people are free to accumulate riches, continues Jean-Paul: "And we find where that leads, everyone free to fight fraternally and with equal arms, every man his own millionaire, man against man, group against group, in happy mutual robbery." His exhortations are approved by the radical, Jacques Roux, excellent at rabble-rousing, demanding the public ownership of shops, the transformation of churches into schools, with Jean-Paul as the leader of their cause. For his own part, the marquis is no believer in causes. In self-disgust, he requests to be whipped. Jean-Paul points out further that the government has cuts deals with foreign invaders to undermine the revolution. Coulmier once more objects, pointing out that the emperor has rehabilitated these persons. The marquis dismisses Jean-Paul's criticisms of society and maintains the opinion that "there is nothing beyond the body". Afraid and dismayed at the growing reign of terror and his leading role in it, Charlotte Corday visits Jean-Paul. The marquis encourages him to gaze on Charlotte: "Her breast naked under the thin cloth and perhaps carrying a knife, to intensify the love-play." The marquis interrupts her as she is about to strike, so that Jean-Paul may hear of the events following his death. With both arms raised she then plunges the knife in his breast, at which the patients scream as he lays dying.
"The resettled woman"
"The resettled woman". Time: 1940s. Place: East Germany.
During the agrarian reform, Ketzer, a farmer, is fined for not producing enough milk, as he had to sell his cow to buy a horse. In view of his inability to pay, he is threatened to have his property seized by the state. The burgomaster, Beutler, approves and supports Treiber, another farmer, in his attempts at recuperating the money Ketzer owes him. When Treiber is about to take away his horse, Ketzer stabs it to death. In despair over his financial troubles, Ketzer then hangs himself. Later, a fugitive from another region and former burgomaster on the run for his political opinions pleads Beutler for help in hiding him from the authorities. Beutler's friend, Rammler, agrees to hide the fugitive in exchange for money, as they discover the fugitive made off with the contents of the treasury. Beutler accepts cash beneath the table from both Rammler and the fugitive. Despite his proferred help, Beutler denounces the fugitive to the police. In a town meeting, Senkpiel insinuates his burgomaster's treachery in regard to the arrested fugitive. In response, Beutler threatens him with deportation to Siberia should he say another word on this subject, maligning a representative of the state being equivalent, in his mind, to maligning the state, an act of treason worthy of the severest penalties. Flint, a party member and organizer, quarrels with his wife, he frustrated at her lack of knowledge, especially concerning political matters, she frustrated at his philandering, calling him a "chaser of women's red skirts". She leaves while he is still talking. When a mine dating from World War II explodes in a labored field, a tractor-worker is injured. To help bind his wounds, Niet, a resettled woman from Poland, tears out a peasant woman's sheet. The peasant woman reminds her that the sheet will be deducted from her salary. In another part of the region, a peasant trips over a drunk tractor-worker. The former complains that "he who plows my daughter should not leave my field uncultivated". The tractor-worker responds by asking him which one among the photographs of women he carries in his pocket is his daughter, he having "many mares in his stable". After being pointed out who she is, he demands money if the peasant wants his field plowed before that of others. The peasant gives him some. He then asks for money if he wants the plowing done in straight lines. The peasant gives him some more. When his daughter shows up, he recommends her to open her blouse for the sake of the tractor-worker. Meanwhile, Flint attempts to persuade a lazy good-for-nothing beer-guzzler, Fondrak, Niet's lover, to take over Ketzer's field following his suicide. Fondrak refuses on the basis that working makes beer taste less appealing. When a pastor leaves his motorcycle behind for Fondrak to repair, he does so but then sells it to a collector of production quotas so that the latter can escape to the west. A district counsellor arrives to examine the town organization. He dismisses Beutler as burgomaster for not being open to the people's criticisms. Beutler is then pursued by the police for illegal activities while in office. The district counsellor offers the job to Flint, who is leery about accepting it and attempts once again to have Fondrak accept Ketzer's property, who, pushed by Niet, finally accepts, then leaves her with the business on her hands. Treiber as an important property-owner is pressured by the authorities to submit to the agrarian reform. He is so disgusted with the changes that he leaves to hang himself, but bungles the job. Thinking him dead, his wife faints. When she revives in a confused state and sees her husband again, she wonders whether they are in heaven or hell, while Treiber moves his arms as if ready to fly upward to heaven. A worker comments laconically that Treiber is still here because "heaven was full up".
"Men's business". Time: 1970s. Place: Germany.
Otto, a seasonal worker in metal works, and Martha, owner of a butcher's shop, are eating caviar. As Martha speaks of her writing a journal of their relation, she notices Otto taking out a pornographic magazine. "Men's business," he announces, to shut her up. Later, while she takes her clothes off, Otto, bothered by her dog's whining, goes outside and beats it till it goes quiet, then comes back to copulate, commenting approvingly: "You're not pretty, but you like it." On another occasion, he grumbles yet again about the whining dog: "He licks you below the skirt when you turn your back to him," accuses he, but she denies any improper behavior. One day, to please him, Martha announces she has killed it, a lie, Otto discovers, after finding the dog inside a cold room. When Otto later arrives with a rifle, ostensibly to kill the dog, she goes out and shoots it herself. Another thing bothers him about her: how slow she is before being sexually aroused. "It was better with the dog from behind," accuses he. He further adds that, in his view, the probable reason she is aroused with greater difficulty is because she refuses to submit to him. "You have no respect for me. That's how it is," she counters. Exasperated, she takes up his low-caliber rifle and shoots in his direction, but misses him. He challenges her to try again. In her next attempt, she hits him on the shoulder. "Now its your turn," she announces. He hits her with the first shot, then hands the rifle back to her. After missing twice, she manages to hit her target. Otto hits back, as does she a third time, but when her man successfully hits his target again, the blow is too much for her and she falls. "Do you give up?" crows Otto over her prone body.