History of Western Theatre: 17th Century to Now/East European Pre-WWII

From Wikibooks, open books for an open world
Jump to: navigation, search

In the initial half of the 20th century, East European drama is honorably represented by the Hungarian dramatist, Ferenc Molnár (1878-1952), author of "Liliom" (1909) and the Polish dramatist, Witold Gombrowicz (1904-1969), author of "Iwona, księżniczka Burgunda" (Ivona, princess of Burgundy, 1938).

Ferenc Molnár presented Liliom, a man that cannot be forced into a responsible position. Photograph of Molnár in 1918


"Liliom". Time: 1900s. Place: Budapest, Hungary.

"Liliom" text at http://www.archive.org/details/liliomlegendinse00molnuoft

Liliom played by Joseph Schildkraut (1896-1964) wooing Louise played by Evelyn Chard, Garrick Theatre, New York, 1921

Mrs Muskat, owner of an amusement park, has caught Julie flirting with one of her employees, the one responsible for the carousel, Liliom. She warns Julie never to come back. Julie denies having done anything wrong, Liliom being in the habit of taking many a girl by the waist and flattering them. She is defended by her friend, Marie. When Liliom hears of their argument, he is offended. "I suppose I am to ask your permission whenever I touch another girl," he comments sarcastically to his boss. "I permit no indecency in my carousel," she counters. But Liliom defies her. They quarrel until she dismisses him. Julie is dismayed at this turn of events. Intending to retrieve his clothes, Liliom asks Julie and Marie to wait for him. "Why are you waiting for him?" Marie asks her friend. "He said we were to wait for him," Julie simply answers. When Liliom returns, he specifies what he said. "I meant that one of you was to wait." Julie and Marie look at each other and it is Marie who leaves. The conversation between Liliom and Julie is interrupted by two policemen, one of whom warning her of Liliom's habit of taking advantage of women and absconding with their money. When Liliom asks her whether she is afraid about what the officer said, she answers: "I pay no attention to what he said." "Suppose you had some money and I took it from you?" Liliom further asks. "Then you could take it, that's all," she replies. A few weeks later, Liliom and Julie marry and live in a dilapidated hovel owned by Mrs Hollunder, who complains of this lazy and shiftless man, out of work, without prospects, and liable to take his wife's money for his own purposes. Julie defends him, though she admits to Marie he hit her once. "He's a bad one," comments Marie. "He's not really bad," replies Julie. Having to her cost noted Liliom's value at the carousel, Mrs Muskat asks him to return, specifying he must abandon his wife, since a married man would never be so popular with the women there. Liliom accepts the offer, but, on learning of his wife's pregnancy, he hopes for larger gains. Indeed, he and a friend, Ficsur, plan to commit a robbery. Ficsur suggests that he should take a knife along. Julie suspects Liliom and Ficsur are up to no good. She is horrified on learning that a knife is missing from Mrs Hollunder's kitchen. Liliom and Ficsur await the arrival of a paymaster rumored to be carrying the considerable sum of 16,000 kronen. To pass the time, they play cards and Liliom loses his part of the haul. On entering, the paymaster deftly seizes Ficsur's arm, points a gun at Liliom, and laughs at them for attacking a man carrying no money. As policemen approach, Ficsur breaks loose from his hold and both attempt to escape. The paymaster aims at Liliom as the better target. Fearing prison, Liliom plunges the knife in his own breast and falls. On his death-bed, he admits to Julie he did not give her anything and requests her to tell their child he was not much good. After his death, two men in black identify themselves to him as heaven's policemen, commanding him to get up and follow them to a magistrate, who interrogates him and pronounces he will burn for 16 years, at the end of which his future will depend on whether he can do at least one good deed after returning to earth for a single day. After the period of 16 years, Liliom approaches Julie and their daughter, Louise, as a beggar. He tries to speak to them, but they do not give him much of a chance to say anything. He tries to do a good deed but is unable to. The two policemen remonstrate while taking him away, yet Julie continues to speak favorably of him to her daughter. "Someone may beat you and beat you and beat you and not hurt at all," she concludes.

Witold Gombrowicz mixed fantasy and realism in the fictional kingdom of Burgundy. Photograph by Bohdan Paczowski

"Ivona, princess of Burgundy"[edit]

"Ivona, princess of Burgundy". Time: 1930s. Place: Unpecified.

"Ivona, princess of Burgundy" text at ?

Two among Prince Philip's friends encourage him to enjoy himself in amorous relations, one of whom blurting out enthusiastically: "Let us function functionally as a function of our jubilant animal youthfulness." Instead, the prince's eye is attracted by Ivona, an ugly woman with a silent disposition. To his friends' astonishment and dismay, he proposes marriage to her. She appears apathetic, no one able to make her even curtsy before the king and queen. The prince proposes to draw her out, but is unable to, not even in the form of a smile. "Do you believe Christ died for you on the cross?" he asks. "Yes," she answers contemptuously. At last, Philip notices Ivona staring at him, as he thinks, in an unbecomingly voluptuous manner. Exasperated, he threatens to cut her throat, but then specifies he was only joking. Innocent, a courtier, shows up with the surprising news that he, too, though in a humbler way, loves Ivona, who angrily tells him to go away. The chamberlain opines it is up to the king to discover her feelings. He hesitates, accepts, but the more he approaches her, the farther she backs away, making him quite angry. Philip decides on another tactic: he pretends to have slept with another woman and to repudiate her. Her sole response is to lift a stray hair from her rival's head and leave the room. Seeing everyone at their wit's end, the chamberlain has an idea: invite Ivona to a brilliant banquet with many people about, so that, intimidated and flustered, she would perhaps choke herself to death on a fish-bone. The king and prince agree, but during the banquet, they change their minds, reminding her how dangerous it is to eat perch. Despite such warnings, she chokes herself to death on the fish-bone.